In This 388-Square-Foot Paris Pied-à-Terre, Golden Hour Lasts All Day


This 388-square-foot Paris pied-à-terre unfolds like carriages on a luxury train: organized lengthwise, the apartment retains its original layout, but all of the internal partitions have been removed to offer a continuous perspective, punctuated by five south-facing windows.

The owner, a Californian who wanted to reimagine his pad in the French capital, “gave me complete creative freedom from the outset,” says interior designer Lauranne Elise Schmitt. “We shared some common points of reference, including a fondness for midcentury modern. It’s not a California style per se, but it’s had a big impact on the West Coast since the 1940s.” It makes sense that the Parisian transplant wanted to take a little slice of home across the pond with him.

The living room and bedroom walls and ceilings are painted in Marron d’Inde (Ressource). On either side of a 1970s coffee table by Gianfranco Frattini for Cassina are modules from a vintage chocolate leather sectional sofa in the style of Michel Ducaroy (Marché Paul Bert-Serpette). To the right is a brushed stainless-steel floor lamp by Sashaxsasha (Galerie Paradis). Above it hangs a midcentury pendant lamp by Carl Fagerlund for Orrefors from 1960. In the bedroom hangs a work by Jean-Philippe Delhomme, Milton Avery With Lemon, 2025 (Galerie Perrotin).

The owner and Schmitt had excellent bones to work with going into the reimagining of the space. The apartment’s floor is a central element of its decor; natural black parquet is laid in a checkerboard pattern. It creates a strong statement throughout the home, which considers materiality heavily elsewhere as well. In the kitchen, for example, a honey-colored oak ceiling and storage units complement a bronze-patinated brass countertop. A custom solid oak table can be an impromptu desk for remote work. Two adjustable stools can be used for meals or as part of a compact bar. Calling the space a “bachelor pad” isn’t quite right, though the phrase reflects much of the spirit of Schmitt’s versatile, elegant design.

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A view towards the kitchen, entirely clad in wood like a precious box. A bookcase serves to divide the space lengthwise, highlighting the feeling of being aboard a luxury train. On one of the shelves is a charcoal drawing on paper by Alex Foxton, Study for Sebastian (for Eugène), 2024 (Galerie Derouillon). Free-form Murano glass bowl, 1970. Midcentury pendant lamp by Carl Fagerlund for Orrefors, 1960. Matteo Verzini

Decorative language

After working with Christian Liaigre and Peter Marino (Louis Vuitton) teams, Schmitt ventured out on her own to make her mark in interior architecture and scenography. She says that she sees spaces as theaters to decorate, and the language of this space is a highly cinematic one.

In this space, she chose furniture for the space that combines Californian casualness with Parisian sophistication (see the vintage chocolate leather sofa in the style of Michel Ducaroy above). A coffee table by Gianfranco Frattini for Cassina from the 1970s adds a slick mediator between the modular sofa parts. Beveled mirrors and varnished arches also punctuate the space like statement pieces, while the antique brass and Murano glass pendant fixture refracts light like a piece of jewelry. In the oak ceiling, integrated diamond-shaped spotlights add an Art Deco touch, as do the fluted glass double doors leading to the bedroom. A variety of warm tones—gold, bronze, ochre, and caramel—temper the space with elegance and sensuality.



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