In a surprising development, internationally renowned architect Kengo Kuma has been named the new lead designer for the highly anticipated Global War on Terrorism Memorial on the National Mall in Washington, D.C. The announcement follows the departure of previous designer Marlon Blackwell, who was originally selected in July 2023.
Kuma, known for his nature-inspired designs, will now lead the effort to create a memorial that honors those who served and sacrificed in the Global War on Terrorism since the September 11 attacks. His involvement stems from a personal connection, as he lost a close friend in the 9/11 tragedy. The Memorial is intended to reflect the global significance of the conflict and the experiences of those who participated in it.
According to the Global War on Terrorism Memorial Foundation, Kuma’s understanding of the Memorial’s importance, along with his collaborative approach, made him the ideal candidate to lead the project. The Foundation expressed confidence that Kuma’s design will offer a meaningful and inclusive space that resonates with all who visit, serving as a powerful tribute to those involved in the conflict.
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I hope this Memorial will serve as a bridge for future generations, allowing them to feel something beyond just the physical monument. We want to pass this message on to the younger generation. That is the true role of a Memorial—to carry a message across time. –Kengo Kuma
A survey conducted in 2023 revealed key public preferences for the Memorial’s design. According to the Global War on Terrorism Memorial Foundation, over 60% of respondents favored green space, while 50% wanted a water feature. Additionally, 70% expressed a desire for an intimate setting, and more than 80% hoped the Memorial would be illuminated at night.
Courtesy of Wikimedia
While no specific timeline for the Memorial’s design and construction has been released, the collaboration between Kuma’s team and the Design Advisory Council is expected to conclude soon. Once a concept is finalized, it will require federal approval before proceeding to the next stages.
In other similar news, Kengo Kuma & Associates has recently revealed the design of the national Pavilion for the State of Qatar at Expo Osaka 2025, blending traditional craftsmanship from Qatar and Japan. In a recent interview with ArchDaily’s Editor in Chief, Christele Harrouk, Kengo Kuma discusses his unique approach to nature-inspired and site-specific designs. Finally, following an international competition, Kengo Kuma & Associates has been selected to design the new visitor center for Butrint National Park, a UNESCO World Heritage Site on Albania’s Ionian coastline.
Courtesy of Global War on Terrorism Memorial Foundation
That question, raised at a recent gathering of adjunct faculty at The Architectural League’s Soho offices, highlights not only the precarity of part-time architectural educators—who now constitute 54 percent of all faculty members according to NAAB—but also the larger role of collective action in a discipline that has been so focused for so long on individual achievement. It’s a timely question. The adjuncts at The New School in New York, comprising 87 percent of the faculty, went on a 25-day strike in 2022 and succeeded in getting the largest raise in the school’s history and the first in four years, along with gains in health coverage and job security.
What should architecture schools, most of whom depend upon part-time educators, do to address the tremendous gap in the job security and pay between their tenured faculty and adjuncts? A new book, co-edited by one of us, addresses that question. The Organizer’s Guide to Architecture Education (Routledge, 2024) offers a characteristically architectural way of looking at the problem at different scales, from adjuncts organizing at the scale of a single school to their joining with other part-time faculty at the scale of the university or at another architecture school to their pushing for policy changes at the national scale.
Because many part-time faculty members also practice, architecture schools often use that as an excuse for the low pay and short-term appointments. The reality is many adjuncts depend upon their academic pay to compensate for the ups and downs of architectural business. But that excuse only heightens the tension that has long existed in architecture between higher education and the profession, not just over the schools’ preparation of students for practice, but also over the exploitation of practitioners by the schools. If anything, universities’ dependence on adjuncts reveals an unsustainable underbelly—institutions trying to control costs and moderate tuition increases on the backs of adjunct faculty in order to balance their budgets. As the group gathered at The Architectural League noted, this creates “architecture’s painful paradox: Within institutions of learning, the most engaged workers are the least supported.”
Adjuncts in architecture schools seem especially abused, given the amount of time that they are expected to give when teaching studios that meet two or three times each week for many more hours than the number of studio credits require. Nor do adjuncts have much choice in the matter. The full-time faculty determine the curriculum and the departmental leadership determine the pay, so both groups need to take responsibility for perpetuating the inequity of adjuncts having to spend so much time for so little pay. That responsibility also makes the claims of sympathy for the plight of adjuncts on the part of regular faculty seem more than a little hypocritical. Although teaching studio, in theory, does not require as much preparation time, every good teacher spends much more time than in class responding to student questions and other needs, which makes the low pay even more painful. Reciprocity—treating others as you would want to be treated—remains a bedrock tenet of ethics and the lack of reciprocity between full-time faculty and their adjunct colleagues is disgraceful.
The growing interest in collective action among adjuncts will undoubtedly affect the profession as much as the schools, given the impact that adjuncts have on the thinking of their students, who often face equally precarious employment options upon graduation. While unionization has historically not found much support among architects, the unionizing efforts especially among graduate students in higher education have already prompted action in the profession. An effort by The Architecture Lobby is underway to set up networked cooperatives within our field, exemplified by the WIP (Work In Progress | Women In Practice) Community, a peer network of women in practice established in 2020, and the WIP Collaborative, “a shared multidisciplinary practice of independent design professionals who work together on projects to improve the public realm.” A feminist critique of the profession—which attacks its ongoing impermeability for women for a variety of reasons—also applies to the plight of adjuncts, whose long working hours regularly stretch into the late afternoon/early evening and who are often expected to attend nighttime lectures. This timing can be difficult for parents who have children and want to be present for their evening activities.
Architecture schools could respond to the justifiable complaints of adjuncts by greatly reducing the workload of part-time faculty and aligning studios with university policies that require that the weekly hours required to teach a course match the credit hours. A nine-credit studio should require nine hours in the classroom, not double that, as so often happens.
Schools could also pay adjuncts more. On an hourly basis, most architecture schools compensate part-time faculty much less than their full-time colleagues, which is especially unfair when the two types of faculty are teaching in the same studio, doing the same work. As the adjunct pool has become increasingly diverse, that hourly pay inequity could also be a violation of the Equal Pay Act of 1963, which requires that men and women be given equal pay for equal work in the same place of employment, based on job content, not job titles. Other federal laws prohibit pay discrimination on the basis of race, color, religion, national origin, age, or disability. In the future, we may see adjunct faculty suing instead of striking, which is where collective action becomes particularly valuable.
Adjunct faculty members, who someday might want to teach full time, may not want to do anything that might hurt their chances. Collaboration with their peers at the scale of the university or with other schools can relieve the pressure on individuals. The New School strike also shows the benefit of architectural adjuncts joining forces with colleagues in other fields. It not only offers the power of numbers, but also reveals the very different financial models that exist in universities. While adjunct faculty in the arts or humanities may not have outside consulting practices, their fields often have more philanthropic support than architecture, which, as both a profession and an art, can seem too commercial for some donors and too academic for others. As a result, architecture schools depend upon tuition more than many other units in a university, which helps explain why getting as much tuition-generating labor for as little as possible has become so prevalent in our discipline. But, as to the question of: How can precariously employed adjunct faculty convincingly guide architecture students to stable careers? The answer is: They can’t.
Send your questions to ethics@archpaper.com for consideration in future columns.
Peggy Deamer is professor emerita, Yale School of Architecture and a founding member of the Architecture Lobby. She has practiced architecture for 45 years and is the author Architecture and Labor.
Tom Fisher is a professor in the College of Design at the University of Minnesota and the director of the Minnesota Design Center. A former dean of the college, he was also an editor at Progressive Architecture magazine for 14 years.
The views of our writers do not necessarily reflect those of the staff or advisers of The Architect’s Newspaper.
Foster + Partners has just announced its upcoming appointment by Manchester United to lead the development of a masterplan for the Old Trafford Stadium District, focusing on club-owned land surrounding the current stadium. The goal is to create a world-class football destination for Manchester United fans, integrated with a broader vision for a mixed-use development that benefits the local community. This transformation aims to attract new residents, increase job opportunities, and establish the area as a vibrant hub for visitors from Manchester, across the UK, and beyond.
The planning process will involve extensive engagement with fans, local authorities, community members, and the Old Trafford Regeneration Task Force, ensuring their input shapes the masterplan’s final design. While the stadium itself won’t be part of the initial planning phase, the ultimate vision includes a state-of-the-art stadium as the centerpiece of the regeneration effort. Foster + Partners will also provide expert recommendations on how the Old Trafford Stadium District masterplan can align with the existing Trafford Wharfside masterplan and support the objectives of the Greater Manchester Combined Authority.
As a proud Mancunian, I am passionate about the chance to rebuild on Manchester’s great industrial heritage, creating a vibrant new mixed-use community, served by highly sustainable and improved transport links, providing homes and jobs for the local community, all catalysed by a world-class stadium for the world’s most famous football team – Manchester United. — Norman Foster, Founder and Executive Chairman of Foster + Partners
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In other similar news, Sports-focused architecture office Populous has been confirmed as the lead designer of the Aramco Stadium, one of the main locations scheduled to host the upcoming 2027 AFC Asian Cup and the 2034 FIFA World Cup. Additionally, Henning Larsen has recently been commissioned to design the surface streets of Singapore’s 21.5km North-South Corridor. The project focuses on transforming the area by integrating public transport, active mobility, community spaces, and greenery. Finally, Foster + Partners designed the Euro American Innovation City, a mixed-use development in Hangzhou’s Central Business District, envisioned to be a vibrant addition to the city.
Consider the porch: A low-tech structure typically made of wood or stone that plays an oversized role in American culture. From August Wilson’s Pittsburgh, Harper Lee’s Alabama, Spike Lee’s New York, to John Steinbeck’s California; artists lean on porches as literary devices for telling complex stories about civic life, and as liminal spaces that divide our public and private worlds pregnant with meaning.
In all of its literary, political, and cultural dimensions, the porch will take center stage at the U.S. Pavilion in the 2025 Venice Architecture Biennale. PORCH: An Architecture of Generosity will be commissioned and curated by Peter MacKeith, dean of the Fay Jones School at University of Arkansas; Susan Chin, founder of DesignConnects; and Rod Bigelow of Crystal Bridges Museum.
The show which opens May 24, 2025, will focus on “the porch as a central element in American architecture, highlighting its social, environmental, and democratic significance.” It follows the 2023 Venice Architecture Biennale exhibition curated by Cleveland-based SPACES at the U.S. Pavilion which focused on the role plastics play in perpetuating ecological collapse.
PORCH, as the title suggests, will deliver a new temporary porch attached to the front of the U.S. Pavilion, completed in 1930 by William Adams Delano. The temporary porch will coalesce near designs by Marlon Blackwell of Marlon Blackwell Architects; Stephen Burks of Stephen Burks Man Made; Julie Bargmann of D.I.R.T. studio; and Maura Rockcastle of Ten x Ten Landscape Architecture and Urbanism. The Architect’s Newspaper will be the exhibition’s media partner.
More than 50 practices will participate, whose names will be shared in the coming weeks. Timothy Hursley will photograph the exhibition and its accompanying “musical performances, readings, farm-to-table meals, children’s education, social exchanges, craft demonstrations, and educational dialogues.” Apple Seeds Teaching Farm—a nonprofit based in Fayetteville, Arkansas—will provide food at the U.S. Pavilion. Poetry readings and musical performances will take place on Juneteenth and July 4, 2025.
“This exhibition has a very personal dimension for me, but the choice to center porches was arrived at by consensus,” Peter MacKeith told AN. “Myself, Susan Chin, Marlon Blackwell, Rod Bigelow, Julie Bargmann, Maura Rockcastle, Stephen Burks, and Tim Hursley have had lengthy discussions over a long period of time about this theme, and its potential for conveying a broad story about American architecture, and culture.”
Connecting the Dots
Today’s announcement comes three months after chief curator Carlo Ratti shared with AN his overall vision for the 19th International Architecture Exhibition. In May, Ratti said this upcoming biennale, Intelligens, will focus on the city of Venice, Italy, as a testbed for combating climate change. The grand affair will be organized around three key themes: natural intelligence, artificial intelligence, and collective intelligence.
Akin to Ratti’s mentor and philosophical influence, that of Umberto Eco, MacKeith’s thinking is equally impacted by the liberal arts. “Before I studied architecture, I was a student of history and literature,” MacKeith shared. “Look no further than the work of James Agee, Walker Evans, Zora Neale Hurston, or Harper Lee’s To Kill a Mockingbird, the porch has always had such an important role in American literature, music, and storytelling.”
“Porches for us are ways of connecting all these dots, in musical terms, photographic terms, artistic terms, craft traditions like quilts and basket-making, in cuisine, and more generally in architectural terms,” MacKeith elaborated. “I think the central ambition has ultimately been how to best represent not just American architecture, but this sense that American architecture is a social, environmental, and educational construct that incorporates people from many walks of life, and of course, from all over the world.”
Both the U.S. Pavilion curatorial team and Carlo Ratti share similar sustainability goals. Ratti has said his goal is to create an “exhibition that is 100 percent circular where everything we use is reused and recycled.” Thus, after the Venice Architecture Biennale ends, the U.S. Pavilion’s temporary porch will be dismantled and reassembled at school courtyards throughout Venice and Rome for children to interact with.
“My experience with the [Venice] Biennale over a number of years is that, while many adults visit in the first few days and weeks over the course of the summer and into the fall; many visitors are also school children, high school students, and young people in general,” MacKeith continued. “A question we all take seriously is: How do we make this work accessible and valuable to a young person, whether they’re in the 5th grade, or 10th grade?”
Further details about spatial interventions inside and outside the U.S Pavilion will be unveiled in the coming weeks.
The 19th International Architecture Exhibition will be held in Venice from May 24 to November 23, 2025.
Scientists have made a breakthrough that could lead to new treatment options for celiac patients. The team identified how and where the gluten response begins, with certain cells playing a bigger role than thought.
Like other autoimmune disorders, celiac disease occurs when the body mistakenly launches an immune response against a harmless molecule – in this case the trigger is gluten, a protein found in many cereal grains. Consuming these foods leads to a range of unpleasant symptoms, and the only treatment is a strict diet.
To help find a better option, the researchers on the new study investigated how and where the gluten response actually begins. In studies in mice and lab-grown mini-intestines (called organoids), they observed the responses of different cells to the presence of gluten.
“This allowed us to narrow down the specific cause and effect and prove exactly whether and how the reaction takes place,” said Tohid Didar, corresponding author of the study.
It turns out that epithelial cells – those that make up the inner lining of the upper intestine – respond to gluten by actively stimulating the release of CD4+ T cells. In turn, these helper cells trigger an overactive immune response that’s felt as the common celiac symptoms. It was widely thought that the response involves immune cells only, although epithelial cells were suspected to play a role. Now, the team says, that suspicion has been confirmed.
The team also uncovered another factor at play. The epithelial cells send stronger signals to the immune cells in the presence of Pseudomonas aeruginosa, a pathogenic bacteria species that’s not normally a healthy part of the human microbiome.
The researchers say that the discovery could provide new targets for developing drugs that potentially treat or prevent celiac disease. Testing for P. aeruginosa could also help identify patients most at risk of developing the condition.
“The only way we can treat celiac disease today is by fully eliminating gluten from the diet,” said Elena Verdu, corresponding author of the study. “This is difficult to do, and experts agree that a gluten-free diet is insufficient.”
The owners of the United Center have unveiled a $7 billion, seven-phased development project set to revolutionize the 55 acres surrounding the stadium. With its “jolt of new development,” the 1901 Project, named for the stadium’s address along Madison Street, aims to create a flourishing neighborhood in Chicago’s West Side with more green space, mixed use spaces, and new jobs. Design collective RIOS will serve as master planner while landscape design will be helmed by New York–based Field Operations.
United Center Joint Venture, owned by Chicago real estate tycoons Michael Reinsdorf and Danny Wirtz, is behind the 1901 Project. Both have strong footholds in Chicago real estate development and professional sports: Reinsdorf owns the NBA’s Chicago Bulls and Wirtz owns the NHL’s Chicago Blackhawks. Both teams play in the United Center, which will host the Democratic National Convention on August 19.
Currently, the area surrounding the United Center comprises acres of parking lots. (Bill Smith)The development will transform parking lots into green space and mixed use buildings. (Courtesy Proloog)
The United Center is in Chicago’s Near West Side neighborhood. Parking lots dominate the blocks directly surrounding the stadium and game-goers often choose to grab food or drinks in the slightly farther West Loop district.
For the project, Reinsdorf and Wirtz selected RIOS, a firm with a portfolio of exemplary urban and multi use developments. These include ongoing projects in Boulder, Colorado and Changzhou, China.
“The 1901 Project Master Plan builds on our team’s history of approaching sensitive placemaking,” senior project director at RIOS, Richard Peterson, said in a statement, “It aims to develop a forward-thinking model for urban growth by integrating architecture and landscape into a unified concept while also prioritizing humans over cars.”
One of the project’s top goals is making the neighborhood more walkable. (Courtesy Proloog)
Construction on Phase One will begin in 2025, and carries a set of developments: a 6,000-seat music hall, a 10-acre elevated park, enhanced parking facilities, pedestrian walkways, bike lanes, and roads, and the addition of mixed use buildings including retail spaces, hotels, and housing.
Reinsdorf and Wirtz plan to first convert parking lots adjacent to the stadium. According to The Chicago Sun Times, associates of Jerry Reinsdorf spent $44.7 million on several lots in February. The project will see the transformation of these concrete expanses into a “lively and active public realm,” according to a statement by Matt Grunbaum, an associate partner at Field Operations. “Stadiums worldwide are reinventing themselves to be more public-facing and integrated into their surrounding communities.”
Phase One will include the addition of a a 10-acre elevated park. (Courtesy Studio Ladder)
Seven phases are planned, and will be further developed based on market conditions and community feedback. Future phases set out to produce both affordable and luxury housing; improve transportation infrastructure for bikes, pedestrians, cars, and rail; and prioritize community safety and accessibility with amenities such as decorative lighting, pedestrian plazas, and landscaping.
Throughout the ten year endeavor, Project 1901 will emphasize collaboration with local groups, partnering with minority and women owned construction firms, while also promoting apprenticeships, mentorship, and subcontracting opportunities to integrate smaller companies into the development process.
Project 1901 will be the largest private investment on Chicago’s West Side. (Courtesy Proloog)
Project 1901 will be the largest private investment on Chicago’s West Side. It is projected to create 63,000 construction jobs and 12,000 permanent jobs, as well as produce $104 million in stabilized annual tax revenue for the city.
It’s estimated that, in the US, between 52% and 82% of people who menstruate use tampons. To avoid health risks, especially given the high potential for vaginal absorption, it’s imperative that any harmful chemicals present in tampons are identified.
However, despite their widespread use and this absorption risk, few studies have investigated whether tampons contain these sorts of health-affecting chemicals. A new first-of-its-kind study by researchers from UC Berkeley, Columbia University and Michigan State University tested tampons for the presence of 16 metals, including toxic metals known to pose a risk to health.
“Although toxic metals are ubiquitous and we are exposed to low levels at any given time, our study clearly shows that metals are also present in menstrual products, and that women might be at higher risk for exposure using these products,” said Kathrin Schilling, assistant professor at Columbia University’s Mailman School of Public Health and senior author of the study.
Between September 2022 and March 2023, the researchers purchased tampon products from brick-and-mortar stores in the US, UK and EU and from two major online retailers; 14 different brands in all, in unique combinations of brand, product line, and absorbency. Products listed as top sellers were generally selected, as well as ‘store-brand’ products from several large chain retailers in the US.
Across 30 tampons, the concentrations of 16 metals were tested: arsenic, barium, calcium, cadmium, cobalt, chromium, copper, iron, mercury, manganese, nickel, lead, selenium, strontium, vanadium, and zinc. Concentrations were compared by several tampon characteristics, including region of purchase, organic material composition, and brand type.
Of concern to the researchers was the presence of lead in all of the tested tampons
The researchers detected measurable concentrations of all 16 metals assessed, including elevated mean concentrations of toxic metals lead, cadmium and arsenic. They didn’t find substantial concentrations of mercury or chromium. Concentrations varied according to the region of purchase, organic versus non-organic, and store- versus name-brand products. Lead concentrations were higher in non-organic tampons, while arsenic was higher in organic ones.
Of most concern to the researchers was the presence of lead in all of the tested tampons. As they point out, there is no safe exposure level when it comes to this heavy metal; any amount of lead that leaches out of a tampon and enters the bloodstream can have a negative effect on health. Lead is stored in the bones, replacing calcium, and can stay there for decades. It’s known to negatively affect the brain, kidneys, heart, blood, immune system, and reproductive organs and impact development.
Arsenic and cadmium are also associated with adverse health outcomes. Inorganic arsenic is known to cause cancer and has been associated with cardiovascular disease, dermatitis, lung and brain disease. Cadmium targets the kidneys and can cause kidney damage, as well as being linked to cardiovascular disease.
The researchers say that there are several ways that metals could’ve been introduced into tampons. One is the contamination of raw materials like cotton, rayon or viscose during production. Another is contamination with metal from water during manufacture. Some metals may be introduced intentionally. Several of the metals detected by the researchers – including calcium, cobalt, chromium, copper, nickel and zinc – may be added as antimicrobial agents, odor control, or lubrication.
“I really hope that manufacturers are required to test their products for metals, especially for toxic metals,” said Jenni Shearston, a postdoctoral scholar at UC Berkeley’s School of Public Health and the study’s lead and corresponding author. “It would be exciting to see the public call for this, or to ask for better labeling on tampons and other menstrual products.”
The study could not ascertain whether the metals detected contributed to negative health effects. Further research is needed to test how much of these metals can leach out of tampons and be absorbed by the body.
A striking new study led by researchers from the University of Nebraska has found unusually high levels of lead and uranium in urine samples from teenagers who frequently use e-cigarettes. But several scientists, while careful to say not vaping is still the safest option, have sounded the alarm over the study’s design.
“I would classify it as yet another report intended to promote free-floating anxiety about vaping,” said George Laking, from the Centre for Cancer Research as the University of Auckland. “To the extent it gets picked up, it is likely to cause active harm by scaring people back to smoking. One has to question the ethics of publication. It reminded me of the adage, widely used in public health ethics, about shouting ‘fire’ in a crowded theater just because someone lit a match.”
The research in question has indeed been extensively ‘picked up’ this week, and for good reason: Unusually high levels of lead and uranium found in the urine samples of teenagers who frequently use e-cigarettes. The University of Nebraska researchers behind the study indicate that exposure to these kinds of metals can affect brain and organ development.
The findings come from data gathered in an ongoing project called PATH (Population Assessment of Tobacco and Health). This project commenced in 2011, tracking the long-term health effects of tobacco products.
The researchers focused on a wave of PATH data, collected between 2018 and 2019. Around 200 e-cigarette users were included, with an average age of 15. The cohort was divided into three categories: occasional users (vaping between one and five days per month), intermittent users (between six and 19 days), and frequent users (over 20 days). As part of the PATH study, all participants supplied urine samples allowing the researchers to track levels of metals including lead, uranium and cadmium.
The findings revealed lead levels in intermittent and frequent vapers were up to 30% higher than they were in occasional users. Uranium levels were also a concern, around twice as high in frequent users compared to occasional users.
While this paper is not the first to suggest e-cigarettes can expose users to toxic metals, several experts not affiliated with the latest research believe the findings are undermined by flaws in study design.
“There are so many sources of uncertainty about what’s going on here, and how the study’s findings can be interpreted, that I don’t think it can yet raise real health concerns,” said Kevin McConway, Emeritus Professor of Applied Statistics, Open University.
Lion Shahab, from University College London’s Tobacco and Alcohol Research Group, noted that many of the exposure levels reported in the study are in-line with general population reference values. So the lead levels noted, for example, are not particularly higher than what is found in non-vaping adults.
“This study therefore cannot tell us anything about absolute increase in exposure to heavy metals from e-cigarette use in this population, only about relative exposure among less and more frequent e-cigarette users,” Shahab said.
“The authors have not thought critically about scientific inference from the data,” Laking added. “Their endpoint is a proxy for a whole body exposure burden. Urine is a route of excretion. What is going on with the participants? Are their urine metal levels at steady-state? Are they on the way up? Or the way down? Could it be possible that vaping is actually causing people to unload metals from other body compartments? Is this just noisy data in a smallish sample?
“The problem with vaping is it is addictive,” he concluded. “Anxiety about addiction has spawned an industry that is trying to discover actual physical harms, so far without success. Meanwhile people are dying from smoking while they are scared away or even prohibited from vaping. Vaping is a far safer alternative way to deal with nicotine addiction.”
“The Mindfulness City will be a sustainable city. To be mindful is to be aware — to perform best,” said Giulia Frittoli, partner and head of landscape at BIG. The Kingdom of Bhutan is a landlocked Buddhist country in the eastern Himalayas, nestled between China and India. It covers 14,000 square miles and has a population of nearly 800,000.
The Royal Office of Bhutan asked BIG, Arup, and Cistri to develop a plan for a new Mindfulness City in Gelephu in southern Bhutan, near the border with India. The city will span 386 square miles and include a new international airport, railway connections, hydroelectric dam, university, spiritual center, and public spaces.
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“This site was selected because it is one of the flatest areas of Bhutan.” The site was also chosen to minimize impact on the forest, which covers 70 percent of the country, making the country a biodiversity hotspot.
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“Bhutan has this extra respect for nature. Forests are protected in its constitution,” Frittoli said. And the site’s flat character enables Bhutan to build a new airport. “As an international gateway, it is an ideal location.”
The planning and design team’s novel plan aims to not only preserve the forest but also make room for rivers and elephants. “We started with a landscape point of view before an urban point of view. We started from the environment,” Frittoli said.
The site of the future city is laced with 35 rivers. When glaciers in the Himalayas melt, the rivers widen and deepen. Bhutan also has a monsoon season. And with climate change, more water is expected. BIG proposed designing the city around these variable river flows. “We examined how the rivers expand and contract. The landscape is not fixed; it is a living organism. We will make space for the water.”
Bhutan also has nearly 700 elephants. They move from the highlands down to the rivers and then south to India. So Frittoli and her team proposed natural corridors around the rivers, which can be up to half a mile wide.
“The corridors are nature getaways. This creates space the water and elephants need.” Spreading from the corridors will be a series of bioswales that will help channel stormwater. And the plan will create space for water to support urban rice paddies and agricultural fields. “This will create local jobs and increase economic growth,” Frittoli said.
Parts of Gelephu are somewhat economically depressed. There are abandoned rice paddies and farms, Frittoli said. This is due to labor shortages. “His Majesty is concerned that young people are leaving the country for Southeast Asia and Australia. They don’t see a future path in Bhutan due to the lack of educational and job opportunities. His Majesty wants to bring them back.”
“The Mindfulness City will provide white-collar jobs in research and innovation. It will open up Bhutan and bring opportunities, so young people stay,” Frittoli said.
In addition, Bhutan is a carbon-positive country, absorbing more carbon than it emits. Its commitment to sustainability guided the planning of the new city, which will maintain a carbon-positive standard and use locally sourced, natural materials. Buildings will be approximately six stories high and made of stone, mass timber, and bamboo.
The upper part of the new city will be mostly rice paddies and agricultural fields. Much of the urban density will be found in the southern portion of the new city, closer to India. A series of bridges spanning the rivers will serve as major hubs and east-west connectors. There will be nine types of bridges, reflecting the tenets of Bhutan’s GNP Index.
The bridges will provide transportation connections, produce energy, and serve as key gathering spaces. One will be a Vajrayana spiritual center, which will give visitors a chance to experience the daily practice of monks. Other bridges will house a healthcare center, a university, a cultural center, and a market.
The plan proposes a new dam for generating hydropower. Bhutan is powered by 100 percent hydropower, and 90 percent of that is sold to India. The dam will power the new city and provide additional income.
The first phase of the project is expected to be completed over the next two to five years. Frittoli thinks the plan will be fully realized in 20-30 years and grow organically through multiple phases. It will require public-private partnerships and increased investment.
She also commented how landscape architects at BIG — a multidisciplinary firm with more than 700 designers worldwide — are leading the massive project. “In 2021, I was made partner at BIG, which allowed landscape to be seen equally. We went from five landscape architects to 55 globally. Landscape architects are now at the table when projects start. Given the challenges facing the planet, we need more landscape architects leading.”
This article was originally published on The Dirt.
The Portland Art Museum (PAM), completed in 1932 by Pietro Belluschi, is set to undergo a massive expansion. Vinci Hamp Architects, a Chicago office, will collaborate with the local studio Hennebery Eddy Architects on the $111 million project.
The renovation and expansion will provide an entirely new museum experience and much better accessibility, officials said. Upon completion, PAM will have more intuitive pathways to encounter art; and increased visibility for its Native American and contemporary art collections.
In the evening the Rothko Pavilion will glow from within. (Hennebery Eddy Architects and Vinci Hamp Architects)
The upgrade will deliver a new 24,000-square-foot Mark Rothko Pavilion: A glass structure that will provide a new, transparent, welcoming “front door” to the Portland Art Museum. (Mark Rothko grew up in Portland and took art classes at PAM as a child.) The Rothko Pavilion will connect Portland Art Museum’s two historic buildings: the Main Building by Pietro Belluschi and the Mark Building, a former Masonic Temple by Frederick Fritsch acquired by the Museum in 1992.
The new design connects well with the existing urban fabric (Hennebery Eddy Architects and Vinci Hamp Architects)
This integration seeks to create streamlined circulation across all four floors of gallery space. The custom, white-fritted, and semitransparent glass will yield an elegant, crystalline building that, when lit, will deliver “a glowing beacon for the arts” in downtown Portland, officials elaborated.
“The goal to unify Pietro Belluschi’s buildings and Frederick Fritsch’s Masonic Temple with a new link, the Mark Rothko Pavilion, has been an exciting challenge for us,” said Philip Hamp, a principal at Vinci Hamp Architects. “It combines great Portland landmarks, exacting museum design, and historic preservation in one comprehensive project, with the bonus of working once more with Director Brian Ferriso and the talented PAM staff.”
The Grand Pavilion Gallery is located inside the Rothko Pavilion (Hennebery Eddy Architects and Vinci Hamp Architects)Gallery spaces are defined by wood floors and white walls. (Hennebery Eddy Architects and Vinci Hamp Architects)
Cumulatively, the expansion will deliver 95,000 square feet of new or upgraded public and gallery spaces; and 2,700 added square feet of exhibition space for contemporary art in the Mark Building’s Crumpacker Center for New Art. The Museum’s Library & Research Center will be relocated to the Mark Building’s first floor, allowing for easier access to its archival materials. Lastly, the Museum’s Whitsell Auditorium, where talks and film screenings happen, will also be refreshed.
In the expanded Crumpacker Center visitors can view contemporary art. (Hennebery Eddy Architects and Vinci Hamp Architects)
“Though the Museum has remained open during construction, we are looking forward to welcoming our community back to experience a new PAM next year,” said Brian Ferriso, the museum’s executive director and chief curator.
The renovated and expanded campus is set to open in late 2025.